Faut pas rêver: Quand la gauche aura le pouvoir

Radically anti spectacular, keeping out of focus the vehicle of dominant imagery (the television set) and the engine of dialogue (the mother), "Faut pas rêver" records everyday life in all its simplicity and passivity. Thus creating an air hole in the televised flow usually woven of shows and stagings, this polemical, experimental and dialectical essay poses a political question, that of the ideological use of television.